Trini Lopez Wiki – Trini Lopez Biography
Trini Lopez, who broke world records by creating a unique mix of American folk, Latin and rockabilly music in the early 1960s, died on Tuesday in a hospital in Rancho Mirage, California. He was 83 years old.
Trini Lopez Short Bio
Trinidad “Trini” López III was an American singer, guitarist, and actor. His first album included a version of “If I Had a Hammer”, which earned a Golden Disc for him. His other hits included “Lemon Tree”, “I’m Comin’ Home, Cindy” and “Sally Was a Good Old Girl”. Wikipedia
Born: May 15, 1937, Dallas, Texas, United States
Died: August 11, 2020, Palm Springs, California, United States
Albums: Trini Lopez at PJ’s, The Folk Album, Live At Basin St. East
Trini Lopez Cause of Death
Longtime friend and colleague Joe Chavira said the cause was complications of Covid-19.
Two of Mr. Lopez’s greatest recordings – “If There Were a Hammer” and “The Lemon Tree” – were also hits for the folk trio Peter, Paul and Mary a few years ago. But Mr. Lopez’s editions went higher on Billboard’s Hot 100 list.
Lopez was born in Dallas, Texas, on May 13, 1937. His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. They married in their hometown of Moroleón prior to moving to Dallas. Lopez has four sisters (two are deceased) and a brother, Jesse, who is also a singer. He grew up on Ashland Street in the Little Mexico neighborhood of Dallas and attended grammar school and N. R. Crozier Tech High School. He had to drop out of high school in his senior year because he needed to earn money to help support the family
Trini Lopez Sound work
Mr. Lopez’s version of “If There Was a Hammer” reached No.1 in 36 countries and sold over a million copies. Formal advantage? Arrangements where the audience can dance.
His comments bridged the two important trends of the day. In a commercially rich time for folk music, Mr. Lopez took advantage of the beauty of the genre’s melodies while portraying them with sharp rockabilly rhythms used by hit producers such as Buddy Holly and Carl Perkins.
“Making the songs danceable helped me a lot,” Lopez told The Classic Rock Music Reporter in 2014, adding: “The discotheques in those days were not just playing my songs, they were playing my album to the end.”
For yet another draw, Mr. Lopez punctuated many of his songs with cheerful voices and trills borrowed from the Mexican people, highlighting his ethnic heritage at a time when many Latin artists kept their own ethnic heritage hidden. “I’m proud to be Mexican,” he told The Seattle Times in 2017.
A groundbreaking sound mix that was recorded at a popular Los Angeles nightclub and connected with audiences from the very beginning with his debut album “Live at PJ’s”, released in 1963. The disc gained gold with the success of “If I Had”. a hammer. ”The album also featured a version of the traditional Mexican song” La Bamba “, which was turned Top 40 by another pioneering Latin rocker, Ritchie Valens.
He collected other Top 40 hits with “Kansas City” and “I’m Coming Home, Cindy”. He made Billboard magazine’s contemporary Top 40 for adults 15 times.
Trini Lopez Was a Successful Guitarist
Mr. Lopez was not just a singer but a successful guitarist, and in 1964 he invited Gibson Guitar Corporation to design two instruments, both of which became collectors’ pieces. Years later, star guitarists such as Foo Fighters ‘Dave Grohl and Oasis’ Noel Gallagher used older versions of these instruments.
Trinidad Lopez III was born on May 13, 1937 in Dallas. His father, Trinidad II, was a farmhouse-style singer, dancer, and musician, but earned a living by handwork. When he was young, the elder Mr. Lopez had married Petra Gonzales in his hometown of Morolean, Mexico, before moving to Dallas with six children.
Trini Lopez Family Background And Trini Work for his Family
The family lived in a poor area of the city known as Little Mexico, where Trini attended primary school. When he was 11, his father bought him a $ 12 guitar from a loan shark and taught him to play. “It was the biggest prize of my life,” he said.
Trini began performing for coins on street corners, playing traditional Mexican songs, including “La Bamba”. It was also inspired by the hits of African-American blues artists like T-Bone Walker and Jimmy Reed, as well as early rockers like Elvis Presley and Buddy Holly.
To support his family, Mr. Lopez, N.R. Crozier Tech High School (now Dallas High School) to play music full time in its final year. By that time, his music was increasingly influenced by American-style styles. His first band, Big Beats, performed at the posh Cipango Club in Dallas.
Mr. Lopez then attributed his desire to succeed in part to the bias that he endured growth. “My problem has always been being a Mexican,” he said on his website For Elvis CD Collectors in 2008. “In Texas, we’ve been treated worse than Blacks. But I had big dreams. ”
Mr. Lopez met Buddy Holly, a Texan, at local concerts in 1958. Holly recommended it to her producer, Norman Petty. However, Mr. Lopez had a bad working relationship with the producer as well as his own group. Both prevented him from singing. The two songs he recorded with his band for Columbia Records were instrumental.
Enraged, Mr. Lopez left the group.
He made his solo debut with a song called “The Right to Rock” on Dallas-based Volk Records. The label tried to make Mr. Lopez hide his ethnicity by changing his surname, but he refused. The following year, he signed with King Records, which released a dozen singles over the next three years and a dozen singles, none of which were on the charts.
Personal life & Death
Lopez remained a lifelong bachelor and had no children. His nephew, Trini Martinez, was the drummer for the Dallas indie rock band Bedhead.
Lopez died on August 11, 2020, at Desert Regional Medical Center in Palm Springs, California.He was 83, and suffered from complications of COVID-19