Chelsea Wolfe Wiki
Chelsea Wolfe Biography
Who is Chelsea Wolfe?
Chelsea Joy Wolfe is an American singer-songwriter and musician. Her work has blended elements of gothic rock, doom metal, and folk music. Raised in Northern California with a country musician father, Wolfe began writing and recording songs during her childhood. Wikipedia
BMX Freestyle rider Chelsea Wolfe, who qualified as a substitute to represent the United States at this year’s Summer Olympics in Tokyo, said last year that her goal was to win an Olympic medal “so I can burn a flag of United States on the podium. ”
“My goal is to win the Olympics so I can burn a US flag on the podium. This is what they focus on during a pandemic. Hurting trans children,” Wolfe wrote on Facebook on March 25, 2020, along with a link to a PinkNews Story on the Trump administration’s stance on transgender girls in women’s athletics.
How old is Chelsea Wolfe?
November 14, 1983 (age 37 years), Sacramento, California, United States.
Chelsea Wolfe was born in Roseville, California, [to] she is of Norwegian and German descent. she grew up in Roseville and Sacramento. Her father was in a country band and owned a home studio. By the age of 7, she had written her first poem and by the age of 9, she had written and recorded songs that she later described as “basically Cassius-based goth R&B songs”.
About her childhood, Wolfe said: “I grew up pretty fast. I had older sisters. When I was 11, I drank 40.”  She also struggled with sleep paralysis as a child and throughout her teens, which led her to the hospital for sleep studies; these experiences eventually became material for her Abyss and Hiss Spun albums.
Wolfe lived with her grandmother during part of her childhood, who taught her about aromatherapy, Reiki, and “other realms.”
2006: Farewell error
In 2006, Wolfe composed an album, titled Mistake in Parting, which was never officially released. About the album, Wolfe said: “I was 21 years old and I wrote a shitty breakup album of singer-songwriters. I didn’t even want to be a musician back then, but a lot of my friends were saying ‘let’s do this, I have some producer friends and I they helped make this terrible, overproduced record … I took a break from music for a while as I wasn’t happy with what I was doing. ” Wolfe later commented that he scrapped the album in large part because it had been written about events in his personal life: “I was writing really personal things about my own life, and I wasn’t feeling comfortable at all … I didn’t want [my music] was a lot about me, and I had to find a new perspective. ” [fifteen]
2010-2012: The Grime and the Glow and Apokalypsis
Wolfe’s widely released first album, The Grime and the Glow (2010), was released on the New York-based independent label Pendu Sound Recordings, preceded that same year by the limited-edition Soundtrack VHS / Gold albums. and Soundtrack VHS II.  Her next album, Apokalypsis (2011), stylized as Ἀποκάλυψις, earned her an underground following, as well as critical acclaim, receiving rave reviews on Pitchfork and CMJ. Wolfe toured extensively in North America and Europe to support both albums, and suffered extreme stage fright; When she initially started performing live, Wolfe wore a black veil over her face. “Acting was something I had to learn,” she said. “I could barely bear to be on stage for the first few years, and that’s why it took me so long to start my career as a musician.”
2012-present: Sargent House
Wolfe performing in San Francisco, California, 2013
In 2012, Wolfe covered five songs by British anarcho-punk band Rudmentary Peni, and released them as A Tribute To Rudmentary Peni on February 17 as a free download via Pendu Sound. He later re-recorded Peni’s songs with his band at Southern Studios in London, and released them as an EP, Prayer for the Unborn, in January 2013 on Southern Records.
Wolfe signed with the Sargent House label in 2012 to release his third album. Unknown Rooms: A collection of acoustic songs was released on October 16, 2012, and featured a more folk-oriented sound, unlike their earlier work, which had focused on heavily on buzzing electric guitars. and distortion. The acoustic album contained “‘once orphan’ songs,” according to Wolfe. On July 28, 2012, the first single, “The Way We Used To”, premiered on NPR. On September 20, the second single, “Appalachia”, premiered on The Fader.
Wolfe released a live album, Live at Roadburn, on September 28, 2012, recorded that April 12 at the Roadburn Festival in Tilburg, The Netherlands. Wolfe’s fourth studio album, Pain Is Beauty, was released on September 3, 2013, as well as a preview for the album,  followed by a supporting North American tour. During 2013 and 2014, Wolfe released two 7-inch split singles with King Dude, Sing Songs Together … and Sing More Songs Together …, and a live EP, Chelsea Wolfe Folkadelphia Session on May 31, 2014.
Wolfe also contributed guest vocals to American post-metal band Russian Circles’ fifth studio album, Memorial, released in October 2013. Wolfe and Russian Circles toured Europe together in late 2013.
In 2014, she released a full-length film, Lone, set to music by Pain Is Beauty and directed by Mark Pellington.
“Carrion Flowers”, “Iron Moon” and “After the Fall” were released as the second, third and fourth singles, respectively, from her fourth album, Abyss (2015).
On April 1, 2016, Wolfe released the 7-inch single that was not part of the album.
In April 2016, Wolfe and his bandmate Ben Chisholm were special guests for Converge’s collaborative live performance Blood Moon, along with Cave In’s Stephen Brodsky and Neurosis’s Steve Von Till. Limited to four European performances, the collective performed “ambient / post-rock performances”  of various tracks from Converge’s discography, in particular songs from their “less listened to and slower work”. The first set of Blood Moon took place at the Postbahnhof in Berlin on April 11. The second took place at La Cartonnerie in Reims on April 12 . The third took place at Electric Brixton in London on April 13. The fourth and final Blood Moon show took place at the Roadburn Festival in the Netherlands on April 16.
He composed the first two albums of his with his mother’s classical guitar, which was missing a tuning peg; As a result, the strings had to be tuned, which was a stylistic element that carried over into studio recordings.
Style and musical influences
Wolfe performing live, 2012
Wolfe has mentioned a variety of artists and genres as influences, including black metal and Scandinavian folk music, but has said, “I have a hard time sticking to one genre and honestly I prefer it that way. I prefer to be free to experiment and do the thing. kind of art that I want to make easy to define. ” Several critics have noted elements of doom metal, drone metal, goth rock, folk, and dark atmosphere in his music. Aside from gothic and experimental, many critics have dubbed the sound of it “doom folk”. Wolfe has said, “I think deep down I wish I had one of those really brave voices like Kurt Cobain, so maybe I’m making up for it with distorted guitars.” Mojo described his music as “Siouxsie & The Banshees territory […], with treated strings, booming drums, and reverb lashes surrounding his crushed, double-track velvet voice.”
Wolfe has expressed a strong affinity for R&B music, citing Aaliyah as a major influence on his career since his childhood. She said: “I grew up listening to my dad play the guitar while singing harmonies … When I was a kid I wanted to record my own songs, so he prepared me one of eight tracks. The vibe of those first songs was like, Aaliyah meets Fleetwood Mac: what I was listening to mixed with what my parents were listening to. “Age Ain’t Nothing But a Number” was my favorite song at the time .
Other musical influences include Vladimir Vysotsky, Selda Bagcan, Nick Cave, Hank Williams, Townes Van Zandt, Suicide, SPK, various “music of the 20s and 30s”, Joy Division, and more recently, Black Sabbath. , Sunn O))), Deftones and Neurosis. her In the past she mentioned Burzum as an influence, but later said that she considers Burzum’s political views to be too extreme.
Wolfe has cited the visual elements of filmmaker Ingmar Bergman and photographer Nan Goldin as influencing her, as well as the writings of D.H. Lawrence and Ayn Rand. However, on September 24, 2015, she stated that regarding her alleged affinity with Rand: “When I said that I liked Ayn Rand many years ago, I didn’t know anything about what she stood for or what her books meant. . I retracted.! “. Other writers she has mentioned as inspirations include Marcel Proust, Louis-Ferdinand Céline, and Sylvia Plath.